Whenever I am in New York City, I will try to take a walk in Central Park.
I have always enjoyed strolling there, especially during Autumn.
I like that too, trees and people converging to a point which disappear in a distance.
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Some readers asked why I didn’t post on Chinese Gardens but posted quite a few on Japanese Gardens.
The truth is I like Chinese Gardens but I have lost most photos on the beautiful gardens, especially those in Suzhou and Hangzhou in China.
I don’t think I am able to give you a better explanation about Chinese gardens, the text in italics below are all lifted from Wikipedia, except that I have extracted the more salient parts. So, please enjoy.
The Chinese garden is a landscape garden style which has evolved over three thousand years. It includes both the vast gardens of the Chinese emperors and members of the Imperial Family, built for pleasure and to impress, and the more intimate gardens created by scholars, poets, former government officials, soldiers and merchants, made for reflection and escape from the outside world. They create an idealized miniature landscape, which is meant to express the harmony that should exist between man and nature.
A typical Chinese garden is enclosed by walls and includes one or more ponds, rock works, trees and flowers, and an assortment of halls and pavilions within the garden, connected by winding paths and zig-zag galleries. By moving from structure to structure, visitors can view a series of carefully composed scenes, unrolling like a scroll of landscape paintings.
The artificial mountain (jiashan) or rock garden is an integral element of Chinese classical gardens. The mountain peak was a symbol of virtue, stability and endurance in the philosophy, of Confucius and in the I Ching. A mountain peak on an island was also a central part of the legend of the Isles of the Immortals, and thus became a central element in many classical gardens.
The first rock garden appeared in Chinese garden history in Tu Yuan (literally the Rabbit Garden), built during the Western Han Dynasty period (206 BCE – 9 CE). During the Tang Dynasty, the rock was elevated to the status of an art object, judged by its form (xing), substance (zhi), color (se), and texture (wen), as well as by its softness, transparency, and other factors. The poet Bo Juvi (772-846) wrote a catalog of the famous rocks of Lake Taihu, called Taihu Shiji. These rocks, of limestone sculpted by erosion, became the most highly prized for gardens.
A pond or lake is the central element of a Chinese garden. The main buildings are usually placed beside it, and pavilions surround the lake to see it from different points of view. The garden usually has a pond for lotus flowers, with special pavilion for viewing them. There are usually goldfish in the pond, with pavilions over the water for viewing them.
The lake or pond has an important symbolic role in the garden. In the Book of Transformations (I Ching) water represents lightness and communication, and carried the food of life on its journey through the valleys and plains. It also is the complement to the mountain, the other central element of the garden, and represents dreams and the infinity of spaces. The shape of the garden pond often hides the edges of the pond from viewers on the other side, giving the illusion that the pond goes on to infinity. The softness of the water contrasts with the solidity of the rocks. The water reflects the sky, and therefore is constantly changing, but even a gentle wind can soften or erase the reflections.
I have been showing carefully sculpted Trees in Japanese gardens.
The photo was taken by my sister-in-law Jennie while travelling in Botswana to whom the credit is due.
Trees and sunsets are my favorite topic.
What a wonderful sight! Something that I wouldn’t hesitate to share.
Most varieties of plants used in Japanese Gardens are called niwaki. These trees help to create the structure of the garden. Japanese gardens are not about using large range of plants, rather it is about creating atmosphere or ambiance. The technique of niwaki is more about what to do with a tree than the tree itself. While Western gardeners enjoy experimenting with a wide range of different plants, Japanese gardeners experiment through training and shaping a relatively limited set of plants.
Trees play a key role in the gardens and landscapes of Japan as well as being of important spiritual and cultural significance to its people. Fittingly, Japanese gardeners have fine-tuned a distinctive set of pruning techniques meant to coax out the essential characters of niwaki. Niwaki are often cultivated to achieve some very striking effects: trees are made to look older than they really are with broad trunks and gnarled branches; trees are made to imitate wind-swept or lightning-struck trees in the wild; Cryptomeria japonica specimens are often pruned to resemble free-growing trees.
Some designers are using zoke (miscellaneous plants) as well as the niwaki to create a more “natural” mood to the landscape. Most traditional garden designers still rely primarily on the rarefied niwaki palette. The principles of niwaki may be applied to garden trees all over the world and are not restricted to Japanese Gardens.
Actually, I don’t really know how to start talking about my wife’s journey in the States as it wasn’t my journey.
I like the ones that were taken during sunset when the withered trees stood alone against the dimming sky and below the trees was a vast area of rippled sand.
I have seen samples of petrified trees before, but not large chunks of petrified wood in nature – this is also something that I would like to show in due course.
I have digressed into the theme of incense and smoke, a subject which I will return in due course.
But for now, I need to catch up finishing my series of Twist for the Weekly Photo Challenge.
I have two more photos to show; both taken near my home.
The bare tree has branches which are sort of twisted.
This is a type of vine with many twists. One just wonders how it can suspend itself between two trees and why the vine is in a twisted form.
In Chinese, this type of vine is known as the Flying Dragon; surely, it didn’t fly from one tree to another!
This week’s WPC is Spring.
This image was taken just a couple of days ago on the slope side.
The trees have turned yellow with some tiny flowers.
Spring has definitely arrived!
PS The trees are Acacia Confusa. In this part of the world, the common species is Formosa Acacia.